Bach, Prelude BWV 1007 (TAB)
Transcription and Fingering: Renato Bellucci
Preludes are, generally speaking, "appetizers" for the suite. They introduce the key and many musical ideas which will be developed in the movements (dances) that will follow.
This description is probably very accurate especially since it comes from a time when music was not a free art form but was strictly associated to other activities such as dance or prayer. The praeambula was the first spark of an amazing revolution which would be coined in the words art music.
Bach was the essence of art music. He dedicated all his work to God but to Johannes, music was meant "to be worthy of" God. Therefore, when his genius was freed from the strict musical forms of the time and was allowed to wander in a free form such as the prelude, semi-miracles would result.
This is the reason why Bach preludes can stand alone as great masterworks. The soul of the composer stands out in every measure.
Bach Manuscript
In Bach's case, Preludes acquire such a dimension that they stand alone as complete units, displaying all the German genius' creativity and spirit.
Staff and Video 16
This is a wonderful section which prepares the listener for the beautiful crescendo leading to the glorious finale. Mark the counterpoint in these measures.
Staff and Video 17
The counterpoint becomes lively and solemn presenting a third voice (A). If you play the countermelody with the flesh of the thumb, you will achieve a great effect. The E is the static part of the section (pedal).
Staff and Video 18
Staff and Video 19
This is the cadence. A long sequence of chromatic thirds leading to the great finale.
cadence = A progression of notes and/or chords moving to a harmonic close, point of rest, or sense of resolution.
Staff and Video 20
The whole prelude points to this electrifying finale. I play it twice. That is not how it appears on the original score but a musician has to learn how to read between the staffs.
Congratulations.
Revision: Asunción, December 15, 2012