Beethoven L.V., "Fur Elise"

Beethoven was born at 515 Bonngasse, Bonn on December 17, 1770.
Fur Elise is probably the all time hymn to un-rewarded love. When Ludwig gave the song to Elise, she said  "it sounds like a funeral song". As with most romantics, the image of the woman Ludwig loved in his heart, was not matched by the "real" woman he platonically loved.

I arranged Fur Elise for guitar according to my personal taste and my knowledge of the instrument. If you have any objections, you can always go to the original score (left) and see if you can do better...joke. A big effort is being made by composers all over to get the guitar repertoire to a level where it is not dwarfed by the piano or violin repertoire. Though the effort is a valid one, it is also true that no matter what we do, we will never be able to say that Bach, Beethoven or Mozart composed for it. Andres Segovia went the extra mile asking the Mexican composer Manuel Ponce to write a suite (Suite in A) and credit it to Leopold Weiss. I simply think we are lucky enough that the guitar can recreate most music without losing the spirit that brought it to life... actually, most times the opposite is true. 

I will be uploading 1 staff per day with the fingering that best suites me and the technical thinking behind it. This is a piano piece and I recommend you hear a piano version first so as to catch Beethoven's spirit and decide wisely. Romantic composers were much more attached to the instrument they composed for than baroque composers. Still, I think that your knowledge of the guitar can overcome any challenge . I often say that if Beethoven played the guitar he would have still composed most of his music and probably would have not become deaf. Guitar Glossary needed in Fur Elise: 6a in Re  Tune string 6 to D String number (Numer in a Circle) 1 2 3 4  left hand fingers (1 index, 2 meddle, 3 ring, 4 little) i m a p right hand finger (i index, m middle, a ring, p thumb)  ] Repeat part A Roman numeral under an inverted L indicates fret or position Parts marked with the Roman numerals I, II and III are repeated constantly during the piece, so I'll simply refer to them as I, II and III. I use string 2 at the beginning because I like the sound of this string on my Bellucci Guitar. Try string 1 if you prefer. Hold the F in bar 5 until the D and then, "fly" to the A. Dragging the fingers on the nylon strings is ok because they produce no undesired noise. The slurs are optional as long as the accents and fluidity of the music are achieved without them.